• 4.26.16   He & Me Create Balance for Audi

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    When Audi called photography duo Tom Mennemann and Yona Heckl, also known as He & Me, the car company had a secret. They were sitting on their brand new S8 model and needed an amazing shoot to celebrate and unveil the vehicle to the world. But no one could see the car or the images before they were revealed. The shoot had to happen completely in secret, away from anyone’s eyes, so Tom and Yona met the car and the team at Audi’s private racetrack. One of the crown jewels of the Audi brand is their racing program, so He & Me teamed up with Pierre Kaffer, one of the car company’s drivers, to be their model.  The S8 represents a unique mixture of Audi’s performance sensibilities and extraordinary luxury, so they concepted a visual language that would combine these two things in a way that was captivating and even a little bit surreal. “We thought it would be a nice look to be a little bit more aggressive because it’s the luxury limousine of Audi but the S8 is the ‘speed luxury’ version of it, so we just thought it fit better in this kind of racing character,” explains Tom. “And because it’s a limousine and not an racing car, the styling concept was a nice suit with the helmet to show that mixture.” The resulting creates a new world that shows off this dichotomy that may feel unprecedented, fun, and incredibly attractive. To make this shoot happen they were able to use Audi's racetrack totally alone which not only made the shots possible but also made the whole experience extra enjoyable. “We were the only ones on the racetrack and it felt like our course, so we could do whatever we wanted which was great. Pierre brought us in the car and while shooting we were doing 240k/hr (149mph) so that was really amazing,” says Tom. “We never felt unsecure. Once there was a rabbit on the racetrack and he needed to do a little turn which was quite a little bit freaky, but it was okay,” Tom says with a laugh. They were able to strike a balance between being true to Audi’s heritage while mixing a stylized version of Audi’s story. The S8 represents luxury and performance in one, offering a unique balance, the same balance that He & Me was able to bring into a new visual language for the car company.
  • 4.28.16   Tristan Eaton and Jeff Soto Team Up with Converse for Good

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    Bringing art home always makes us feel good, but did you know it can make others feel good too? This year, Converse’s Lovejoy Art Program teamed up with 22 global established and emerging artists to create 48 original pieces of work that would be put up for auction. Tristan Eaton and Jeff Soto are a part of this impressive roster whose pieces are now available for bid at Paddle8.com.  The auctions are set up to benefit Artists for Humanity, a Boston based non-profit that focuses on job training for underprivileged youth. Their whole mission is to create a sustainable pipeline for kids who are interested in building careers that they might otherwise not have access to. Artists for Humanity is in the middle of a massive expansion, and the proceeds from this auction will help to build the future of this organization.  “At Converse we owe so much to artists and their abundant creativity,” says David Carrewyn, Global Creative Brand Director at Converse. “The Converse Lovejoy Art Program is an amazing opportunity for us to both give back to the creative community and offer all artists a platform to showcase their work. We’re proud to host our first auction to benefit the great work Artists for Humanity does in Boston and look forward to continuing this program next year.” Before Converse lets go of all this incredible work, they’ve hung it in their Boston headquarters to soak up the inspiration and creativity for their own employees. We think of sneaker brands as being places where technology meets the road, but everyone at Converse is trying to push the boundaries wherever they can and look to artists like Jeff Soto and Tristan Eaton to help them think about their processes in new ways. Converse is already benefiting from having this art all around them, and now you can too (while at the same time benefiting Artists for Humanity).  Both Tristan and Jeff’s work is still available to be bid on at Paddle8.com until Monday, May 2. You can find Tristan Eaton’s ‘Against All Odds’ here, and Jeff Soto’s “Distant Sounds in the Night” here. The rest of the work as a part of Converse’s auction are here.
  • 4.26.16   Platon: Service

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    To civilians war is hell. Guns and ammo. Fire and death. The slow march towards oblivion surrounded by the calls from the other side or existence, bathed in dirt and suffering. War is the stuff of nightmares for civilians. For soldiers these things are true too, but on the ground it's far more complicated. Relationships are forged in this crucible, the madness of life becomes simpler in a way, moments are distilled and objectives reveal themselves. In this struggle many find a way to serve, a direction to focus on, a path. When Platon began photographing Army recruits at the beginning of their training, his goal was to get a glimpse at what they go through. What he found was a meditation on loyalty and sacrifice. "I wanted to find out what happens when you're asked to do something and you do it - and it's very dangerous, and the sacrifices you make,” Platon explains to NPR. “This is where I learned about the other side of leadership, which is service." In his new book 'Service,' Platon delivers to us what he found and teaches us perhaps how we should understand the 2% of Americans who uphold the mantle of this service. Platon started this project at a training center in California known as ‘Medina Wasl,’ photographing service members before they deployed to the Middle East. What he found there was harrowing, but even he didn't realize at the time that he was shooting a series of "before" images. It started at ‘The Suck,’ Medina Wasl’s nickname, but the stories started in these images would play themselves out unseen in the deserts and mountains of the Middle East, and many would find their way back to US soil and in front of Platon's camera again. "They were deployed. Then they come back and it's all different," Platon says. "So it became really human. It stopped being about the military and war, and turned into this human story that I never really expected it to be. I ended up taking pictures of love in the second half of the book." For soldiers returning from duty, love is a complicated notion. They've returned from a place where IEDs are hidden everywhere and bullets slam into rocks and bodies without warning. In that place love is a part of life and death, the distance between the two written in a fog of dust and smoke. Survival is immediate and clear, leaning against their brothers, counting on them for their next breath. Their service is clear. But when they come back their path is less clear. That murky passage reveals itself almost immediately after the soldiers return from their deployment.  “I've done some emotional projects before, but not at this relentless pace, day after day,” Platon says. “The way I work is, I'm very subjective. I'm not the objective journalist who doesn't get involved. I'm not the ‘observer.’ How the hell can you be objective when you're in a widow's house and she's standing there in front of you and she's crying? You can't. You're in. You find yourself becoming part of the story in a weird way. The picture is a complete collaboration between me and the sitter. There's no stolen moment. It's a discussion – a visual lesson they are teaching.”  Platon’s ‘Service’ is available now with essays by Sebastian Junger and Elisabeth Biondi. For more information find interviews on NPR and Time.com.
  • 4.25.16   Roof Studio Makes Cancer Screening Comfortable

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    We could all stand to take care of ourselves a little better. Prevention is the best treatment of any malady, but in the fight against diseases like colon cancer our best tool is early detection. Understanding the problem as early as possible is invaluable, something that Cologuard is acutely aware of which is why they created an early colon cancer screening system. What the company also understands is that checking for cancer can be a high anxiety-producing situation so they made sure their test can be done at home. They teamed up with Roof Studio to deliver this fresh point of view in their latest advertisement. Together, they introduced a cheery Cologuard mascot who talks us through the process and eases our tensions about something that we should all get more comfortable with. When it came to setting the scene, everything that Roof created was about making the most tender impression possible. From composition to color to tone, each choice was balanced to create a soft experience. “It welcomes the viewer and gently invites us in to get closer and closer to a topic that requires some intimacy,” explains Crystal Campbell of Roof Studio. “The character fits in this world with the same level of intimacy where color, attitude and design functions in great harmony to convey a relaxing time.” The test becoming its own character gives us an emissary and a partner to guide us through the process so it won’t stress us out. He reminds us that this is for our health and nothing to worry about. There’s no reason to be anxious – we hear it straight from the mouth of the test we’re taking. Traditionally, pharmacological ads are cold, clean, and precise. That aesthetic is useful for creating an idea of medical confidence but it’s not always relatable. For Roof, the joy of this project was about creating something new that we would understand and connect to on a visceral level. “For us, the most satisfying part of the project was the opportunity to create a non-traditional pharma world. Ours exhibits vibrant colors with confidence and invites the viewer to join in the story,” says Crystal. “We were able to find a nice balance between a more whimsical world and a practical world.” If we’re going to solve the anxiety around medical tests and start protecting ourselves from future problems with early detection, we have to get comfortable with these processes. Roof is helping bridge that gap to create a healthier world.
  • 4.21.16   Jonathan Mannion Gets Behind the Wheel with Gigi Hadid and BMW

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    Jonathan Mannion has shot more than three hundred album covers for artists from all over the music spectrum. He's shot for some of the biggest names and biggest personalities and there's little that he hasn't seen. So when BMW called for him to shoot a campaign with Gigi Hadid in the Mojave Desert, he didn't bristle for a moment. “I’m extremely war tested. You can’t really put me in a situation that I’m going to be like ‘Oh my god, what do I do?,’” he says with a laugh. “If you can shoot a picture at the highest level you can do it with anybody. It’s really joyful to create with a different energy and I get almost butterflies of excitement.” Jonathan was attracted to the challenge of it, so he jumped right in. Jonathan’s experience made him a unique choice for a car campaign with a fashion element but it’s his history working with so many large personalities that afforded him the ability to create something for BMW that would encompass everything they were trying to do in the campaign. “As a character I bring a different sensibility than a typical fashion shooter,” explains Jonathan. “And I think it was just a perfect hybrid of the most beautiful environment in the Mojave Desert.” Jonathan engages his subjects on a personal level, understanding that whom he is shooting knows what they’re doing and it’s his connection with them that's going to show up on film. The photographer is a proxy for the audience and Jonathan takes that seriously. The M2 cars that BMW provided for the shoot were their own rarity. At the time of shooting there were only six of them in the world, and each one was lined up for Jonathan to photograph. That was a total thrill for him, but nothing compared to shooting Gigi. In the last couple years she’s taken over, becoming one of the most sought after models in the world, and Jonathan totally saw why. “Gigi was… she was a dream. And I can see why she’s omnipresent in the marketplace right now, because she was a total pleasure and joy to work with, not to mention kinda cute,” Jonathan says, laughing. “She’s gorgeous.” Gigi is a unique talent in the marketplace, combining a fresh, funky attitude with indelible beauty. It was her personality that BMW wanted to highlight and Jonathan was the perfect choice to blend that with BMW's special cars to create something truly extraordinary.
  • 4.22.16   Remembering the Artist Known as Prince

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    Yesterday the world suffered the loss of one of our most beloved musicians, Prince. But more than a musician, Prince was an artist. By example he lead his fans and his community in the pursuit of personal truth, inspiring everyone he touched to follow the path that was their bravest. Since Prince’s passing yesterday, the entire world has cried out. It has become a conversation of collective remembrance, paying homage and respect to an artist who touched so many. The artists at B&A are a part of that conversation and we’ve collected their work here. Some was created while Prince was still with us, like Platon’s photographs and Stanley Chow’s illustration. While others have been created in response to his passing. We will continue to collect our artists’ work here and encourage you to share your own. Prince’s legacy was to heighten the way we communicate with each other, we will all honor his memory by doing exactly that. Rest in Peace. ~ Photographs by Platon. Illustration by Stanley Chow. Illustration by Mario Wagner.
  • 4.28.16   History and Texture with Rachel Stickley

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    Our history is woven into every stitch of denim. Columbus’ sails that carried his ship across the Atlantic were denim, and Southern soil was resplendent with indigo plants in the centuries after. Few colors have the kind of rich history that indigo has and nothing says heritage better than denim. It is always in style, so it’s no wonder that Women’s Wear Daily just published a feature on what’s trending in denim and tapped Rachel Stickley to help visualize what the most creative minds in the industry are coming up with. Rachel’s styling goes against convention when it comes to thinking about apparel. Shrugging off the tradition of buttoning up models into clothes, Rachel has set the pieces up in a sort of origami showcase, utilizing textured white surfaces to highlight the shapes and feel of the cloth. The natural colors of the fabrics echo off the stark white base, highlighting how Rachel has arranged and folded them, displaying character and giving each article its own personality. 
B&A Instafeed
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  • Remembering the late and great. #RIPPrince art by @mriowgnr
    likes 119 // comments 2
  • Goodnight sweet Prince. Photo by @platon.
    likes 97 // comments 2
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    likes 63 // comments 4
  • @jeffnishinaka for @HBO
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  • Down in the depths of a cave under the Champagne region of France, Erwin Olaf found the convergence of man and nature.
    likes 48 // comments
  • @jimmy.nelson.official finds beauty in the mist.
    likes 104 // comments 4
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  • The uncensored version of this @steven_laxton image from his travels in Thailand was selected to be one of the @american_photography_winners for AP32. #freethenipple
    likes 43 // comments
  • Between late night food carts and small islands full of zebra, @thayerandco found a lot to see in Cuba.
    likes 82 // comments
  • When Bose Collins starts on their CGI you know it gets wavy. #🌊
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    likes 61 // comments
  • Happy #NationalBeerDay! Maybe it
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  • When @joepug photographed Christopher Walken for @hollywoodreporter, he was VERY Christopher Walken.
    likes 66 // comments 1
  • ANTICIPATION. Image by @kylejbean with @aaron_tilley for @kinfolk.
    likes 77 // comments 2
  • @amyschumer never fails to get the conversation started. Photo by Monica May for @tmagazine.
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